Current Event Paper Assignment Example | Topics and Well Written Essays - 250 words - 21

Current Event Paper - Assignment Example Contemporary events in the contemporary world relating to project management include the emergence of mergers and social corporate responsibility. Amalgamation is a conglomerate business take-over activity, which involves a lot of skills, tools, techniques and knowledge in order to meet a business’ set objectives (Project M.I, 2013). In the modern business world, take-over business operations revolve around the triple constraint project management plans for its success. Lastly, the social corporate responsibility is also an emerging contemporary issue where all the business project management operations must be ethically correct. The emergence of mergers and corporate social responsibility relates to project management concept due to these issues’ levels of technicality. Project management is a technical issue in the decision-making parameter hence without sufficient knowledge, tools and techniques project management’s goal plans are unachievable. Both the amalgamation and social corporate responsibilities, on the other hand, are inclined towards project planning life cycle (Project M.I, 2013). This makes the three concepts interrelated in business

Writing assignment of auditing Essay Example | Topics and Well Written Essays - 500 words

Writing assignment of auditing - Essay Example In my opinion, I think it is appropriate that the cash balances are confirmed under the U.S. Auditing standards. This is mainly because cash amounts are the most liquid part of the business and can easily be stolen from the firm or misrepresented (Kieso 77). Moreover, it could be termed as a control measure to ensure that no cash is lost between the time of recoding and auditing. It may also be trick especially because businesses are in operations whereby the cash balance is expected to vary with business activities. The procedure for cash balances auditing may be a bit different as compared to other forms of audits yet so closely related. The first step is to identify the main purpose of the cash audit; which in this case is to ensure that the balances indicated in the cashbook correspond to the cash balances. This is to ensure than no cash is lost between the time of recording on the balance sheet and the time of auditing the records. The second step is taking into consideration the relevant developments for the cash account. Such developments could be as a result of sales or expenditure among other things. Finally the audit process is conducted to ensure that the balance is consistent. Finally, bank reconciliation may or may not be made. The cash account is one that is under constant risks. To start with, being the most liquid asset, cash can easily be stolen from the company by either the workers or the management. Moreover, it is more likely to be misrepresented due to the fact that it is constantly changing. When controlling cash related risks, caution is taken to avoid confusion with the bank account. More often than not, some transactions are conducted using both accounts and often recorded as one. Additionally, proper planning must be taken into consideration to avoid any risks that might occur in the process (Kieso 77). These risks can be classified into the fraud triangle which has

Exploring Asian Cinema Film Studies Essay

Exploring Asian Cinema Film Studies Essay Asian cinema basically refers to films produced in the continent of Asia. East Asian cinema, Southeast Asian cinema and South Asian cinema consists of what is called Asian cinema. Nowadays, Asian cinema continues to thrive because of the so-called globalization of Asian cinema. The globalization of Asian cinema allows people from all around the world to view and experience Asian films. Hollywood is even making remakes of films from Asia, some of which include Eight Below, The Lake House, The Grudge and Dark Water. Furthermore, Asia has been producing films that are slowly catching the attention of viewers as well as scholars from all around the globe. Everywhere in the world, Asian films are being shown on an almost regular basis in film screenings, festivals and the like. But this was not always so. Most Asian countries spent the first five decades of the 20th century producing films that are largely focused on national audiences. These were the times when there were no international film festivals, the only prominent film festival prior to World War II being the Venice International Film Festival. It was in1938 when the film Five Scouts from Japan won a special prize at the said festival, paving the way for Asian cinema representation in other festivals around the globe. In 1951, Asian cinema was brought into world focus when the film Rashoman from Japan bagged the Golden Lion at the Venice International Film Festival and the best foreign language film at the Oscars (Nandgaonkar). And the rest was history. Asia is said to be the largest producer of films worldwide in terms of volume (Ciecko 1). Because of the enormity of the continent, Asian films vary in content and topic. Asian films contain universal themes such as love, life, revenge, death and poverty. They also contain slices of Asian culture, and the stamp of each Asian micro-culture can be found in each groups respective films. The micro-cultures of Asia are varied and diverse, so diverse that each is of different character and quality. This can be seen in the films made by each country. Korean cinema has been historically invisible to the rest of the world, and to some extent, to its own people. Today, the spotlight is on the country whose cinema is the heart and soul of its nations culture (Rist). In its early stages, Japanese cinema produced many documentary films or news reels including scenes of the city, dancing geishas, Sumo, royal or celebrity funerals and the Russia-Japan war (Tadao). Today, the Japanese film industry is one of the largest in the world. The films of Hongkong are popular for being action-packed and filled with martial arts stylings. The cinema forms survival depended on several factors. Martial arts films are artistically unique and are influenced by artifacts of kung fu culture as well as superstitious beliefs. In a sense, martial arts cinema can be considered as escapist, but it satisfies a more tangible cultural need which is the desire to link with tradition no matter how tenuous or imaginary (Garcia). This explains the phenomenon behind martial arts cinema. Taiwanese cinema examines the various problems that Taiwanese people have to cope up with in a modernized society. In order to create films with a more realistic relationship with history and memory, most new films are shot on location. Minor and non-professional actors are also cast to evoke a more true-to-life atmosphere. The filmmakers draw deeply on their life experiences to make their films. Today, almost every new film tries to reconstruct history to some extent (Taiwanese Cinema). The independent films of the Philippines, on the other hand, are socially relevant and contain touches of realism. There has been a recent blossoming of independent filmmaking in the Philippines, and these films have earned the Philippines international recognition and prestige. Asian Films are sorted according to genre. The genres of Asian cinema include action, animation, comedy, crime, gay films, historical epics, horror and romance. Action Action films in Asia are films centered on high physical activity and include martial arts for the most part. An example is Internal Affairs form Hongkong and most of the movies of both Jackie Chan and Jet Li. Animation Animation in Asia includes the anime industry in Japan and is directly influenced by manga or comics in Japan so that the characters have big eyes, small faces and long limbs. Example of Asian animation is Pokemon. Comedy Comedy in Asia can be found in any genre of film. There usually has some element of comedy in any Asian film. Examples of Asian comedy films are Ngem Ngem Ngem and Luang Phii Theng from Thailand. Crime Crime films in Asia are common and usually star high-profile actors such as Jackie Chan. Example of an Asian crime film is Gunman from Thailand. Gay films Asian gay films are usually comic in style and gay characters are often comic relief or villain in Asian films. Gay films such as Beautiful Boxer, however, are less comic and focus on issues of gender and identity. Historical Epics One of the staples of Asian films. Example is the Ramayana from India. Horror Recently, there was a boom in the horror film genre as films like The Grudge and The Ring were remade in Hollywood. This goes to show that Asians are very creative and that their films have spawned numbers of like films because of their originality and uniqueness. Romance One of the Asian audiences favorite genre. Example is White Valentine from Korea. When one talks about Asian cinema, one talks about the Asian culture, tradition and beliefs embedded in the films. As it is, there is no doubt that Asian culture is prominent in Asian cinema. This is why Asian cinema is a great source for understanding Asian culture. Asians incorporate Asian culture into their films by showing viewers the Asian culture, tradition and way of life. This way, viewers are able to know about the micro-cultures of the continent. For example, in the culturally significant film Crouching Tiger, Hidden Dragon which is a China-Hongkong-Taiwan-US co-production, the customs, beliefs and traits of the Chinese during the Qing Dynasty in China were flawlessly depicted. The characteristics of Asian cinema vary as well. Vital, diverse and changing these characterize contemporary films from East Asia which reflect the times of the region today. Meanwhile, Southeast Asia is home to a blossoming industry of independent films. South Asia, on the other hand, is home to the largest film industry in the world which is India (iFilm Connections: Asia and Pacific). Generally, strong themes characterize the films made in the continent of Asia. One of these is nationalism, a theme that can be found in almost all Asian films. Nationalism in Asian films is shown by the use of national language in Asian films. This shows the pride Asian have concerning their mother tongue. Moreover, ethnicity is shown in each film by the language used. The films are then enjoyed by foreigners through subtitles. The incorporation of Asian values and traits into their films also characterize Asian cinema. For example, family is extremely important in Asian culture (Becquet-Rasmussen). This is why in the film Tokyo Story from Japan, audiences are made to realize that family is important and to show affection to the parents while they are still alive is of grave importance. Asians are extremely friendly and helpful, as depicted in the film Seven Samurai from Japan when the samurai himself agrees to help the mountain villagers fight their oppressors in exchange of nothing but three meals a day. Asians also have respect for authority. They also have respect for their ancestors and the elderly. They are patriarchal, and in olden times females are valued less than males. These are Asian qualities seen depicted in most Asian movies, because of which foreigners are able to know Asians even more. These depictions also prove the nationalism Asians have when it comes to making films. Spirituality would also characterize Asian cinema. This is the case in point in the film Sister Stella L from the Philippines where faith and spirituality is shown by the protagonist who is a nun. Other Asian films with implicit spirituality include The Road Home from China, Departures and Throne of Blood from Japan, Apu Trilogy from India, The Cave of the Yellow Dog from Mongolia, Phorpa from Bhutan and Ghani from Bangladesh (Film and Faith 4 Seminar Explores Spirituality in Asian Films). The martial arts film emerged as a characteristically Hong Kong medium of artistic expression in the 1950s (iFilm Connections: Asia and Pacific). Asian martial arts movies, despite the recent advances in special effects technology, have two secrets great camera work and well-planned choreography (Parish). Asian cinema has a highly developed star system. Films of superstars like Jackie Chan and Jet Li dominate the industry and, in turn, earn a lot of money. This is because people flock to the theatres to see their favorite stars whom they trust to give them quality viewing experience. In these times of environmental and political uncertainty, people are looking for assurance in their lives, something that they find in the public figures that they trust. In terms of technology, Asian cinema, particularly Japanese cinema, has created a new cinematic environment that is most apparent in film production and distribution. In place of 35mm film, high definition digital video is often used to bring down production cost and is then blown up to 35mm for theatrical release. Lightweight cameras, less equipment and smaller crews are also used (Wada-Marciano). When it comes to marketing, Asian filmmakers tend to allocate less to marketing as compared to Hollywood. In Hollywood, 40% of a films total budget is allocated to marketing whereas in Asia, only 10% of a films total budget is allocated to marketing (QA Asian Films and Product Placements). Most Asian films are also marketed by first targeting the audiences in Asias three biggest most self-contained film markets China, Japan and South Korea (Frater). This has become even more so with the blossoming of Asian cinema and the fact that Asian films are being launched in film festivals around the world. Nowadays, marketing Asian films is done by using Hollywood marketing machinery to penetrate Asian territory (Frater). Today, the list of acclaimed Asian films is growing longer as more and more Asian films are being shown in festivals around the world. Foreigners get to appreciate and understand Asian culture and tradition by watching these films. According to the 1992 Sight and Sound Critic Poll, some of the greatest Asian films Asia has ever produced are: Tokyo Story from Japan This is the story of a couple who came to the city to visit their children and grandchildren. The children, however, are too busy to for their parents. After the parents return home, the grandmother dies. It is now the turn of the children to take the journey and visit their parents (Ebert). Pather Panchali from India The first film of the Apu Trilogy, the film depicts the childhood of the protagonist in the rural countryside of Bengal in the 1920s (Pather Panchali). Seven Samurai from Japan This is the story of a samurai who was hired by poor mountain villagers to fight a gang of bandits in exchange for three meals a day. He then recruits six more samurais to complete the seven needed to defend the village. Ultimately, the battle is won for the villagers and singing and rejoicing is heard while the remaining samurais watch the villagers planting the next rice crop (Synopsis for Shichinin No Samurai). Ugetsu from Japan This is the story of two ambitious peasants who want to make their fortunes. A potter intends to sell all his wares in the city in exchange for profit while his brother-in-law wishes to become a samurai (Plot Summary for Ugetsu Monogatari). The Music Room from India This tells the story of a middle-aged aristocrat in India whose estate is suffering financially but continues to engage in indulgences (Synopsis for Jalsaghar). Charulata from India The film tells the story of a lonely housewife who falls for her husbands cousin after her busy husband asks his cousin to keep her company (Charulata). Ikiru from Japan This film is about a minor Tokyo bureaucrat and his final quest for meaning (Ikiru). Sansho the Bailiff from Japan This tells the story of two aristocrat children sold into slavery (Sansho Dayu). Yellow Earth from China The film is about a Communist soldier who is sent to the countryside to collect folk songs for the Communist Revolution (Huang Tu Di). The Life of Oharu from Japan This film is about the life of a seventeenth century samurais daughter (Saikaku Ichidai Onna). Indeed, Asian cinema is slowly capturing the worlds imagination. Consider the continent of Australia. Australia is neighbor to some Asian countries like Indonesia and East Timor. Because of the geographical location and because Asian films are slowly gaining the notice they deserve, Australian filmgoers will get a dose of Asian films through the Sydney Asia Pacific Film Festival, the Hongkong Film Festival in Melbourne, Brisbane and Sydney and the Chinese Film Festival in Melbourne where several Asian films are being shown. As a result, Australians can get to enjoy and appreciate Asian cinema in all its majestic glory. Cinema is where people go to in order to relax and enjoy. This may be viewed by some as being escapist, but there is more to be benefited from cinema than mere escapism. Because of cinema, a micro-culture is revealed to unsuspecting viewers and filmgoers. Watching a film from Japan, they discover the samurai and geisha cultures. Watching a film from the Philippines, they discover that there is more to the country than Manny Pacquiao. Cinema is magical and can transport viewers to places unimaginable to him or her. Asian cinema is even more magical because the culture of an entire continent is represented in these films. Asian cinema is rich in culture and tradition, the reason why Asian films are a good media in conveying to the world a particular countrys voice. After years of being in the dark, the time of Asian cinema has come. Asian films are slowly coming out of their shells to be viewed and experienced by the whole world. This is an important key to globalization as people throughout the world are able to understand and accept cultures other than their own. The era has come when the micro-cultures of Asia will be seen by the world through a magnifying lens with no less than the use of a camera.

Vietnam War Essay -- essays research papers

Chapter 10: A Generation in War and Turmoil: The Agony of Vietnam It has been known that the Vietnam War affected many American soldiers who were involved in the war physically and psychologically. The Vietnam War was one of the most memorable wars in history. Many Americans’ lives lost for no objective at all. Chapter 10 informed us about how the Vietnam War started and what really happened during that time. It also gave us background information about Vietnam Veterans and nurses who were involved in the war and what they went through during the war. I had the opportunity to interview a Vietnam Veteran also.   Ã‚  Ã‚  Ã‚  Ã‚  The Vietnam Veteran I interviewed was my grandfather; he was 27 years old during the time of the war. He volunteered to go to Vietnam because he didn’t like picking fruits and vegetables in the hot sun with his father. That’s when he decided to join the service and he volunteered to go to Vietnam. My grandfather only served one tour, because he wanted to go home to his family. So, his younger brother Rick who was single volunteered to go to Vietnam. My grandfather told me that Rick had a death wish so it didn’t really matter to him if he came back dead or alive.   Ã‚  Ã‚  Ã‚  Ã‚  The day after my grandfather left Playku Central Highland the army was overran by the Vietcong and there began the hand to hand combat. My grandfather was really scared for his little brother because he was afraid he would never come back, and...

Literary Analysis- All Summer in a Day

Jeremy Olsen Mrs. Harvan Art of Writing 12 April 2010 All Summer in a Day Most children grow up not knowing how the world works around them. They don’t understand why people are different from one other and they react differently to with jealousy or cruelty when someone is not like they are. In All Summer in a Day, by Ray Bradbury, the children are jealous and angry with Margot because she has experienced things in life they have not, so the kids treat her unfairly because of it. From the beginning of the story the kids never liked Margot and treated her cruelly. When she starts to tell the kids in her class how the sun is â€Å"like a fire in a stove† (Bradbury 1) she is cut off by a boy and told â€Å"you’re lying you don’t remember† (2). Another instance when she is treated horribly by the kids is when she is told to â€Å"speak when spoken to†¦Ã¢â‚¬  (3) by one of the boys in the class. When the time comes close to when the sun was going to come out the kids in the class say â€Å"Hey let’s put her in the closet before teacher comes back† (4) and all Margot could say was no. After they put her in the closet the sun came out and they all ran outside and forgot her until one of the kids says â€Å"she’s still in the closet where we locked her. †(5) this shows how unimportant she is to the kids and also how the kids can just go on after possibly ruining the girls life. At the end of the story when the kids realize they left Margot in the closet one of the girls says â€Å"well? † to the boy who put her in there and he didn’t even have a response because he felt horrible about what he did.

All Conflict in Literature Is, in Its Simplest Form, a Struggle Between Good and Evil Essay

â€Å"All conflict in literature is, in its simplest form, a struggle between good and evil. † This statement means that all the themes and struggles in literature, when broken down to their most simplest forms, are a conflict between good and evil. Usually in conflicts, there are two sides that fight over one thing. One side is considered good, while the other side is considered bad. The people that are good do it for the right thing while the people that are bad do it for the wrong reasons. This is considered to be in every conflict when carefully analyzed. This statement is not valid because a conflict does not have to be about good and evil. A conflict can be internal, where a struggle takes place in the character’s mind. Something can happen to a character that emotional scars him or her, or cause mental instability. Also, there can be a conflict between two sides but it does not mean either one is good or evil. For example, two sides are fighting each other to gain territory from the other. Neither is good or bad because they fight for the same reason, defeating the other to take what they have. One example of a book that proves this is The Catcher in the Rye, by J. D. Salinger. In this book, the main character Holden Caulfield is faced with several conflicts. Some of these conflicts include conflicts with himself and conflicts with society. Holden has a hard time dealing with everyday life and secludes himself from the outside world. He believes everyone around him is phony but in actuality, Holden is the biggest phony. Most of this is caused from the death of his brother which made him mentally instable. The conflict in this story is not about good and evil, but the fact that the main character is unable to deal with others because of the way he views things. Another book that proves this is The Iliad, by Homer. There is no good or bad in this story, because each of the characters are caught in their own conflicts. On the Greek side, Menelaus wants to defeat the Trojans and take Helen back while Agamemnon wants to take over Trojan territory. On the Trojan side, Hector wants to get rid of the Greeks while Paris wants to keep Helen. Achilles does not want to get involved in the war but he fights for the Greeks to avenge his cousin’s death. These chain of conflicts all start from Helen leaving the Trojans for Paris, which leads to the war between the Greeks and Trojans. Although most conflicts are between good and evil, they do not have to be. The first example used shows that conflicts can be internal, where a problem occurs in the character’s mind through which the character reaches a new understanding of things. The second example shows that conflicts do not have to have a good or evil in them, conflict is caused because of personal reasons. The statement given may seem true but after analyzing several books, it can be proved to be false.